Raphael Sanzio – Research Paper Example

Raphael Sanzio Although he died at a young age of 38, Raphael Sanzio was capable of making a mark in fine art during High Renaissance, through his paintings and drawings (Hutton 62). Some great art icons including Michelangelo and Leonardo da Vinci can be said to belong to the same class with Raphael, as they have deservedly been labeled the traditional art trinity. It is after his death that his great rival Michelangelo got ground for fame and popularity. Were it not for his tender age death, it is argued that his work could have overshadowed that of Michelangelo.
Raphael’s work had a rare touch of skill since he was perfect both at drawing as well as painting. His scale of work is to large extent large scale, having caught the eye of the pope to make art work at the Vatican (D’Anvers 34) . His style can falls under art nouveau, a position that can be supported by the fact that he learnt from his master to perfection, sometimes exhibiting a level of art skills that his master could not reach. His great works include the Maddonas, St. George and the Dragon, the famous School of Athens, major portraits and the Transfiguration of Christ. In terms of contemporary interpretation, his works lost points due to too much perfection and excessive sweetness (Kim, 54). He overemphasized tastes at his time and clacked genuine reflections. A rare skill to present heavenly figures however could not be overlooked since later artists borrowed heavily from him. He also contributed to architectural designing (Lefaivre & Tzonis, 76).
Personally, I rate Raphael’s works extraordinarily, partly due to his touch of originality and partly due to his rare touch of creativity. Analysts of his character however soil a better liking than this, when they report that he lustily adored women; maybe, maybe not, this was the drive behind the many Maddona pieces. Art should be used to build role models unlike in that instance. However, his lasting legacy of contribution to heavenly figures art cannot be equated to his spot in character.
Works Cited
Hutton Edward, The cities of Umbria, London, Read Books Inc. 2010. Print
D’Anvers N., Raphael, London, G. Bell and Sons, 1904. Print.
Lefaivre Liane & Tzonis Alexander, The emergence of modern architecture: a documentary history from 1000 to 1810, London, Routledge Publishers, 2004. Print
Kim Woods, Making renaissance art. London, Yale University Press. 2007. Print